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Adele's husband, Ferdinand Bloch-Bauer, hired Klimt to paint both paintings. Klimt painted Portrait of Adele Bloch-Bauer II in 1912. Some artists also think Adele Bloch-Bauer might be the woman in The Kiss and Judith and the Head of Holofernes. Before Adele Bloch-Bauer died, she said she wanted the painting to go to the Belvedere Gallery. But.
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Adele Bloch-Bauer (née Bauer; August 9, 1881 - January 24, 1925) was a Viennese socialite, salon hostess, and patron of the arts from Austria-Hungary.A Jewish woman, she is most well known for being the subject of two of artist Gustav Klimt's paintings: Portrait of Adele Bloch-Bauer I and Portrait of Adele Bloch-Bauer II, and the fate of the paintings during and after the Nazi Holocaust.
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Klimt developed an elaborate technique in the making of the Portrait of Adele Bloch-Bauer I, with only her face and hands painted in oil, the rest of the 138 x 138 cm canvas is covered in gold and silver leaf onto which Klimt used gesso to apply decorative motifs in bas-relief. The final work, completed in 1907, depicts Adele Bloch-Bauer on a.
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Gustav Klimt's 1907 "Adele Bloch-Bauer I" is his most famous portrait and the pinnacle of his "Golden Style.". It can be read as a secular icon and includes African, Asian, Byzantine, and Egyptian references. Gustav Klimt, holding a cat in his arm (c. 1911) by Moriz Nähr Wien Museum. The genesis for this picture dates back to 1903 when.
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Adele Bauer (1881-1925) was born into a prominent Viennese Jewish banking family. In 1899, she married the wealthy sugar magnate, Ferdinand Bloch (1864-1945); he was seventeen years her senior. She was twenty-six years old when this portrait was completed. Adele was a member of cultured Viennese society and an enthusiast of contemporary art; she was intelligent, although like most women of her.
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Exhibition. Sep 5, 2014-Aug 15, 2016. One of two formal portraits that Gustav Klimt made of Adele Bloch-Bauer, an important patron of the artist, is now on view at MoMA as a special long-term loan from a private collection. Adele Bloch-Bauer was the wife of Ferdinand Bloch-Bauer, a wealthy industrialist in Vienna, where Klimt lived and worked.
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Adele Bloch-Bauer was a wealthy society woman, hostess of a renowned Viennese salon, art patron, and philanthropist. Her famous portraits by Klimt are historical witnesses to the significance of Jewish patronage during the Golden Era of fin-de-siècle Vienna. Among the famous guests in her salon were composer Gustav Mahler, journalist Berta.
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Artist and Muse: Adele Bloch-Bauer and Gustav Klimt's Relationship. After a brief public exhibition, which garnered mixed reviews, Gustav Klimt's Portrait of Adele Bloch-Bauer I was displayed privately in the palatial Bloch-Bauer apartment in Vienna.. Delighted with the strikingly modern painting, the Bloch-Bauers commissioned Klimt to create a second portrait of Adele.
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Photo of Portrait of Adele Bloch-Bauer I Adele Bloch-Bauer possesses the rare distinction as the only person Klimt ever painted twice. In 2006, Portrait of Adele Bloch-Bauer I , was purchased for the Neue Galerie in New York by Ronald Lauder for a reported US $135 million, surpassing Picasso's 1905 Boy With a Pipe (sold May 5, 2004 for $104 million), as the highest reported price ever paid for.
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Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is a painting by Gustav Klimt, completed between 1903 and 1907.The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer [], a Jewish banker and sugar producer.The painting was stolen by the Nazis in 1941 and displayed at the Österreichische Galerie Belvedere.
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The work is a portrait of Adele Bloch-Bauer (1881-1925), a Vienna socialite who was a patron and close friend of Klimt. [1] In 1907, Klimt completed an earlier portrait of Bloch-Bauer. During World War II, both portraits were among the artworks stolen by the Nazis from the descendants of Bloch-Bauer. After the war, Portrait of Adele Bloch.
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Gustav Klimt's 1907 portrait of Adele Bloch-Bauer was seized by the Nazis. A film now tells the story of Adele's niece, who fought to recover her family's paintings more than a half century later.
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Portrait of Adele Bloch-Bauer I (also called The Lady in Gold or The Woman in Gold) is a painting by Gustav Klimt, completed between 1903 and 1907. The portrait was commissioned by the sitter's husband, Ferdinand Bloch-Bauer (de), a Jewish banker and sugar producer. The painting was stolen by the Nazis in 1941 and displayed at the.
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What aided in the return of Adele Bloch-Bauer's portrait was its location in a federal museum, said E. Randol Schoenberg, Ms. Altmann's lawyer. In most instances, he said, the missing works.
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Adele Bloch-Bauer II is a 1912 painting by Gustav Klimt. Adele Bloch-Bauer was the wife of Ferdinand Bloch-Bauer, who was a wealthy industrialist who sponsored the arts and supported Gustav Klimt. Adele Bloch-Bauer was the only model to be painted twice by Klimt; she also appeared in the much more famous Portrait of Adele Bloch-Bauer I. Adele's.
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Portrait of Adele Bloch-Bauer _©Wikipedia. Adele Bloch-Bauer I was immortalized in a portrait by Gustav Klimt, which is now known as the "Portrait of Adele Bloch-Bauer I" or "The Woman in Gold." The painting, completed in 1907, is a stunning example of Klimt's signature style, featuring intricate patterns and rich, shimmering gold.